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Just Above Sunset 
               December 19, 2004 - The Best of the Best, from Brazil 
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                In
                  these pages you will find in June 29, 2003 Reviews some comments on Elis Regina.   Think Brazil, but
                  not the usual Bossa Nova stuff.  I recommend Elis Regina - born March 17, 1945 in Porto Alegre, Brazil and died
                  January 19, 1982 in Sao Paulo, Brazil.  Obscure?  Not if you're Brazilian, I suppose.  And there are more than
                  a few of her fans here in Los Angeles.   This is far and away
                  the best popular singer in any language I have ever encountered.  Incredible control and musicianship, and a sense of
                  humor.  The first time I heard a recording ten years ago my jaw dropped.  Clarity, precision and warmth.  But
                  you decide.   On Personalidade
                  (Verve 314 514 135-2) you'll get an overview.  She takes an old, dog tune, Fascination, and makes it
                  work.  I sent a tape of that to an eighty-year-old woman in Montmartre (don’t ask) and made a friend for life. 
                  So it's in Portuguese (Fascinação).  So what?  It's awesome.  And Vou Deitar E Rolar (Quaquaraquaquã)
                  will have you dancing around the room - as far as I can make out the lyric tells us all to relax and go with the flow
                  of life.  That works here.     And the best cut
                  is Aguas de Março (The Waters of March) - but that is one of my favorite tunes of all time.  Antonio Carlos Jobim - great chord changes, fine melody.  And it's kind
                  of an existential samba - just a list of things like a brick wall in the sun, a puddle of water and a distant sound. 
                  Each item says nothing and evokes everything.  If William Carlos Williams had written a samba and not a poem about a
                  red wheelbarrow or that plum... but I fear that is far too obscure an allusion.   And
                  I just received, as an early Christmas present from someone far away who knows me well, the new album by the daughter of Elis
                  Regina, Maria Rita.  The album is “Maria Rita” – Warner Music
                  Latina 61593-2.  On the back of the CD case is a quote from Antonio Carlos Miguel,
                  from JAZZIZ Magazine, May 2004 – “To understand what Maria Rita means to the Brazilian music market, think Norah
                  Jones.”  No.  Think of her mother.  Maria Rita has the same voice – a tad less control, but pretty awesome.  The tunes aren’t as good – she needs her own Jobim or Gilberto.  But it’s very fine.  Recommended.  Highly.   As for the mother?   LISTEN and SING ALONG!   Aguas de Março (The Waters of March) - the
                  link will allow to listen to this sung by Elis Regina and
                  Jobim, the composer, an amazing duet
                  that always make me grin)   É pau, é pedra, é o fim do caminho   Caingá, candeia, é o Matita Pereira   É madeira de vento, tombo da ribanceira 
                   É uma ave no céu, é uma ave no chão   É um estrepe, é um prego, é uma conta, é um conto   É um passo, é uma ponte, é um sapo, é uma rã   É uma cobra, é um pau, é João, é José     The
                  translation by the composer…   A stick a stone  it's the end of the road,               it's the rest of the stump  it's a little alone               it's a sliver of glass,  it is life, it's the sun,                it is night, it is death,            it's a trap, it's a gun.                the oak when it blooms,          a fox in the brush,             the knot in the wood,  the song of the thrush.                       the wood of the wind,    a cliff, a fall,             a scratch, a lump,    it is nothing at all.                  it's the wind blowing free.          
                   it's the end of a slope.             it's a beam, it's a void,    it's a hunch, it's a hope.             and the riverbank talks.  of the water of march             it's the end of the strain,          
                   it's the joy in your heart.             the foot, the ground,          the flesh, the bone,             the beat of the road,    a slingshot stone.                       a fish, a flash,  a silvery glow,               a fight, a bet,  the range of the bow.               the bed of the well,     the end of the line,                the dismay in the face,    it's a loss, it's a find.                a spear, a spike,  a point, a nail,             a drip, a drop,            the end of the tale.                a truckload of bricks,            in the soft morning light,                       the shot of a gun,            in the dead of the night.             a mile, a must,  a thrust, a bump.             it's a girl, it's a rhyme.            it's the cold, it's the mumps.                     the plan of the house,            the body in bed,                the car that got stuck,  it's the mud, it's the mud.               a float, a drift,            a flight, a wing,                       a hawk, a quail,            the promise of spring.                       and the riverbanks talks.  of the waters of march.                       it's the promise of life,      it's the joy in your heart,             a snake, a stick,  it is John, it is Joe,                it's a thorn in your hand,  and a cut on your toe.                a point, a grain,  a bee, a bite,                       a blink, a buzzard,        the sudden stroke of night.             a pin, a needle,            a sting, a pain,                       a snail, a riddle,  a weep, a stain.             a pass in the mountains.    a horse, a mule,                       in the distance the shelves.        rode three shadows of blue.               and the riverbank talks    of the promise of life       in your heart, in your heart               a stick, a stone,            the end of the load,               the rest of the stump,            a lonesome road.               a sliver of glass,  a life, the sun,                a night, a death,            the end of the run                       and the riverbank talks    of the waters of march             it's the end of all strain  it's the joy in your heart         | 
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                   This issue updated and published on...
                   
               
 Paris readers add nine hours....
                   
               
 
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