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Just Above Sunset 
               May 8, 2005 - Hermosa and Manhattan Beach 
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 "Some good things happened while I was in California. I sat in with some of the musicians at the
                  Lighthouse on a few occasions and they made a record out of that." - Miles
                  Davis   Now it’s a blues/rock/punk club.   Downbeat -    Jazz players making their livings in the recording studios of Los Angeles picked up on the Cool Jazz movement in the
                  1950s. Largely influenced by the Miles Davis nonet, these L.A.-based players developed what's now known as West Coast Jazz.
                     Like Cool Jazz, West Coast Jazz was much more subdued than the frantic bebop that preceded it. Most West Coast Jazz
                  was scored out in great detail, and it often sounded a bit European with its use of contrapuntal lines. However, the music
                  left wide-open spaces for long, linear solo improvisations.    While West Coast Jazz was played mostly
                  in recording studios, clubs like the Lighthouse on Hermosa Beach and the Haig in Los Angeles often presented top players of
                  the genre, which included trumpeter Shorty Rogers, saxophonists Art Pepper and Bud Shank, drummer Shelly Manne and clarinetist
                  Jimmy Giuffre.     “West Coast Jazz” is one of those musical terms that causes controversy. Largely dismissed at the time
                  by critics in New York, the musicians, arrangers, composers, producers and labels associated with West Coast Jazz have profoundly
                  influenced the music we listen to today.    Start with Miles Davis’ The Birth of the Cool. Although released under Miles’ name, one could argue
                  this is the work of Gerry Mulligan, John Lewis, and Gil Evans. Important because it shows the emphasis of writing and arranging
                  in West Coast Jazz, it demonstrates another West Coast characteristic “ - the use of non-standard jazz instruments such
                  as French horn and tuba.    … the Lighthouse in Hermosa Beach, which became sort of a ground zero for West Coast Jazz.    The television show Peter Gunn brought West Coast Jazz into the mainstream. Henry Mancini assembled some of
                  the west coast’s best musicians to create the backdrop for this very cool detective. Some of these recordings include
                  the piano player who succeeded Mancini as the top movie music writer, John Williams.    On
                  Gerry Mulligan -    While a resident of New York he didn't
                  confine himself to the life he found there. In the early 1950's a west coast jazz scene was piquing his interest and he went
                  to explore. Jerry Jazz Musician spent many evenings at the Lighthouse in Hermosa Beach, buying drinks for the likes of Chet
                  Baker and Art Pepper. He would walk the strand along the moonlit Pacific, the sounds of "Round Midnight" and "Stella by Starlight"
                  heard faintly on the beach through the club's open doorway...   A Night at the Hermosa Beach Light House   By
                  Dick Williams, Entertainment Editor Los Angeles Mirror, October 16, 1954     Jazz cool et funk survolté Le jazz West Coast est né dans un club d'Hermosa Beach,
                  le célèbre Lighthouse, avant d'être exporté à New York par les Stan Getz, Miles Davis et Gil Evans. Dernière coqueluche locale :
                  le new jack, variante de funk.
                   
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                   This issue updated and published on...
                   
               
 Paris readers add nine hours....
                   
               
 
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